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Monday, January 23, 2012

Anecdotal Evidence: `You Can Refute Culture Only With Culture'

Anecdotal Evidence: `You Can Refute Culture Only With Culture'
Excerpt:
Eichenbaum’s frozen ink reminded me of a passage in A Voice from the Chorus, Andrei Sinyavsky’s account of the seven years he spent in a Soviet forced labor camp. Near the conclusion, he writes:
"I dreamed of the paper I am now writing on as of an open field or a forest: oh to be able to lose myself in it, to take off and run on breathlessly and, without reaching the end or even the middle, put down somewhere at the edge or in a corner just a few rapid lines. . ."
Unlike many lesser writers, Sinyavsky refused to let the blankness of the page intimidate him. Rather, it serves as a spur to his imagination, to the one thing that makes a writer a writer:

"You need paper to lose yourself in its whiteness. Writing means diving into a page and coming up with some idea or word. Blank paper invites you to dip down into its artless expanse. A writer is like a fisherman. He sits and waits for something to bite. Put a blank sheet of paper in front of me and, without even thinking, let alone understanding why, I am sure to be able to fish something out of it."

These paper-and-ink linkages came to me while reading a very un-Russian text, Thoreau’s journal, more than two-million words that ceased only when the writer could no longer lift his pen and dip it into the ink bottle. One-hundred fifty-five years ago today, on Jan. 23, 1857, Thoreau writes:

“The coldest day that I remember recording, clear and bright, but very high wind, blowing the snow. Ink froze.”

“His index cards never got stale.”

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