Excerpt:
That the greatest of American autobiographies – Speak,
Memory by Vladimir Nabokov, and Witness by Whittaker
Chambers – should be written by men with painful, first-hand experience of
Communism is hardly surprising. No force so dominated the last century and
claimed so many lives as the savage messianism of Marx and his disciples. From
cretin to genius, even the most privileged and protected among us were touched.
Take Nabokov: After the Bolshevik Revolution, his family fled St.
Petersburg and found refuge in Crimea .
In April 1919, they settled in England .
A year later they moved to Berlin ,
where Nabokov’s father was assassinated in 1922. In 1937, the novelist, his
wife and son moved to France ,
fleeing the fascist twin of Communism, and in 1940 to the United
States for what he called the “spacious
freedom of thought we enjoy in America .”
In a 1964 interview Nabokov
outlined his “political creed”:
“The fact that since my youth--I was 19 when I left Russia --my
political creed has remained as bleak and changeless as an old gray rock. It is
classical to the point of triteness. Freedom of speech, freedom of
thought, freedom of art. The social or economic structure of the ideal state is
of little concern to me. My desires are modest. Portraits of the head of the
government should not exceed a postage stamp in size. No torture and no
executions. No music, except coming through earphones, or played in theaters.”
[...]
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